Drummer Vuk Pavlovic is interviewed about performing with local bands, how he got into DJ’ing, local artists he admires, and much more.
As cliche as it sounds, banging on pots and pans, when I was about 2, and also coming up with rhythms on pillows with my cousin, at age 11, in my mom’s old apartment in Belgrade, during summer visits.
Wayne Shorter, John Barry, Prince, Frank Zappa, Fela Kuti, and Allan Holdsworth, for starters.
It’s really rewarding to get out of Savannah at any point, so playing in a different town is a real treat
Saša Strunjaš, the original guitarist, used to call me to play some percussion when they used to jam at the restaurant, B. Matthews, in Savannah, GA.
It’s really rewarding to get out of Savannah at any point, so playing in a different town is a real treat. We usually get along quite well, when we’re out and about. I think it’s interesting for us all to take in a new environment in which we find ourselves.
It’s usually the next performance when I try to sound better than the previous time. I guess one of the most enjoyable performances was in Omaha, Nebraska. I’ve also enjoyed playing at the Jazz Corner in Hilton Head, South Carolina. I guess I normally resonate with the gigs that truly resonate with the audience. It’s all symbiotic. The more they dig what’s going on, the better we sound.
Well, that was a “what now?” phase. I had just come back from Spain, where I taught English, and thought I could take a shot at teaching Spanish in the States. Most of the kids were great, and I could relate to many of them, as I was in their shoes 10 years prior. It was a bit of a challenge to explain the perks of learning a foreign language. I wanted to get on the kids’ level, but I also made sure that they didn’t take advantage of me since I was quite young as well. Also, dealing with parents, grades and bureaucracy was not fun, by any means. I think a majority of the students asked, “when will we ever need this?” I couldn’t refrain from the truth and let them know that they would have to immerse themselves in a Spanish speaking country. That’s essentially the only way to understand the importance of learning a foreign language.
One of my best friends, Michael Foo, had talked about the ambition of doing a radio show. We were hooked up with veteran DJ, Ike Carter, and also Lady Grace. I don’t exactly remember all of the details, but Mike and I were given a 4 hour Sunday nightspot. Mike fizzled out after a couple of months, but I persevered for more than half a year after that. It was quite challenging, as I had to program a lot of music every week. Spotify wasn’t a thing at that point, so all of my music was from a CD or LP record. The show was called Transatlantic Radio and I played all sorts of stuff.
As a matter of fact, the very first episode featured the famous music producer Wally Badarou who had worked with The Talking Heads, Grace Jones, Level 42, and Black Uhuru among many others. I actually contacted Wally via Facebook, before airing the show, and he let many of his friends from around the planet know that it was being streamed. It was very cool to begin an experience like that with a titan of the music industry. People from the U.S. to Asia were tuning in.
I’ve always valued Eric’s playing and have sat in with him a few times, but we’ve never played a legitimate gig together
Not particularly, aside from perhaps Eric Jones. I’ve always valued Eric’s playing and have sat in with him a few times, but we’ve never played a legitimate gig together. It was rewarding to see he, Robert Saunders, and Marc Chesanow play an album’s worth of original pieces some months back. I like musicians that know how to be daring, strive to be creative, original, and want to communicate something with their craft.
In terms of upcoming projects, I’m always writing music. There’s nothing on the imminent horizon, ready to be released, but I’m working on things. I write a lot in the program Logic with a MIDI keyboard. I really love playing pianos and synths, and a dream of mine would be to get into film composing one day.